foryouratelophobia:

tomscholes:

As exercise, I’ll be sharing a drop of my inspiration folder each day for a month. The theme will remain unspoken and will be relaxed yet connected. Let me know what you think and if you’d like to suggest a topic :)

Week one round up: 1 2 3 4 5 6 7

Week two round up: 1 2 3 4 5 6 7

Week three round up: 1 2 3 4 5 6 7

These are really great, supreme art direction and style references from mr Scholes. Every single one of these posts. 

H

The further I go, the sorrier I am about how little I know: it is this that bothers me the most.

Claude Monet (via art-and-fury)

blejz:

Bernice Bing (1936 - 1998)
A San Francisco native, Chinese American, artist, lesbian, community activist—Bernice Bing, was a bridge between many worlds. She came of age during the Beat era and entered the San Francisco arts landscape in the 1960s with her paintings, which synthesize abstract modernist painting with Chinese calligraphy.

blejz:

Bernice Bing (1936 - 1998)

A San Francisco native, Chinese American, artist, lesbian, community activist—Bernice Bing, was a bridge between many worlds. She came of age during the Beat era and entered the San Francisco arts landscape in the 1960s with her paintings, which synthesize abstract modernist painting with Chinese calligraphy.

clioancientart:

Resident cat on a 3rd Century Roman sarcophagus in the gardens of the Museo Nazionale Romano, Baths of Diocletian, Rome. Photo Credit: Clio Ancient Art and Antiquities

clioancientart:

Resident cat on a 3rd Century Roman sarcophagus in the gardens of the Museo Nazionale Romano, Baths of Diocletian, Rome. Photo Credit: Clio Ancient Art and Antiquities

5centsapound:

Émilie Régnier: Mali Passport

via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’

bhollen8:

antonio-m:

Castor and Pollux, Joseph Nollenkens, 1767 V&A Museum, London, UK


Antinous!

bhollen8:

antonio-m:

Castor and Pollux,
Joseph Nollenkens, 1767 
V&A Museum, London, UK

Antinous!